I'm sensible enough to realise that things will not automatically be easy from now on, but this does make a big difference. I now qualify for a personnummer, and can start looking for a place for us to live. I could have started that previously, but I do understand that not many people will be keen to rent to a couple who've just turned up and have no steady income. Kai is still looking, but having one decent income between us takes the pressure off a bit.The most important thing is that finding this job enables us to stay in Stockholm. After reading about so many negative experiences I did worry that eventually we'd run out of options. I would absolutely hate to have to go back to England, so I'm really relieved. I realise this is just a start for us, but hopefully it's a good sign for our future. I do feel more confident now that we'll be able to build a successful life here.
In my time job hunting I've noticed that Swedish people/companies are extremely friendly and positive in comparison to England - even rejection emails are so pleasant that you almost don't mind! I'm going to be working via a recruitment company, and the two welcome emails that they sent to me were so enthusiastic and friendly that I already feel comfortable working with them. The two staff members I've been in contact with have also both been so helpful and nice. So far this experience has been really positive, so hopefully the job will also be a good experience for me.
On a different subject, the past 24 hours have also been really good for getting involved in art related things here, which as I mentioned is a massive priority for me. We were going to a private view last night at Platform Stockholm, and at the last minute I found out that there was another private view at Färgfabriken, which is just next door. We went to Färgfabriken first, and there were a couple of different shows there. The show that the PV was for was related to the fragmentation and "development" of urban spaces, and in particular we watched a really interesting film about Beirut, and the privatisation of the sea. This was a brand new concept to me, and something that I didn't even realise was possible. I was thinking about it for a long time after we left, and it was striking to see the perspectives of people in Beirut, and the changes that they had observed.
There was also an exhibition of sculptures by Julia Bondesson, and I enjoyed these even more. Each piece seemed to have its own character, these dead pieces of wood seemed to be so expressive. The rough way that the pieces were carved gave them a really interesting appearance. Each piece was very well made - they were rough but simultaneously refined.
I also really liked the way that the exhibition was set out - each individual work was presented in a unique way. Perhaps this factor helped to bring personality to the pieces. I enjoy exhibitions that are experimental in their presentation.
Next we went to Platform Stockholm, where the show concerned the themes of the body, loss, and artificiality. There were some abstract paintings I really liked that to me suggested bodily fluids. I think this is really interesting, as I think most people would associate bodily loss with amputation.
I really liked the space at Platform Stockholm - I could see my work in that space. I'm really keen to see more shows there and see other possibilities for how the space can work.
There was also an exhibition of sculptures by Julia Bondesson, and I enjoyed these even more. Each piece seemed to have its own character, these dead pieces of wood seemed to be so expressive. The rough way that the pieces were carved gave them a really interesting appearance. Each piece was very well made - they were rough but simultaneously refined.
I also really liked the way that the exhibition was set out - each individual work was presented in a unique way. Perhaps this factor helped to bring personality to the pieces. I enjoy exhibitions that are experimental in their presentation.
Next we went to Platform Stockholm, where the show concerned the themes of the body, loss, and artificiality. There were some abstract paintings I really liked that to me suggested bodily fluids. I think this is really interesting, as I think most people would associate bodily loss with amputation.
I really liked the space at Platform Stockholm - I could see my work in that space. I'm really keen to see more shows there and see other possibilities for how the space can work.
Today I went to Kultuhuset to see work by Katrine Helmersson, which I really enjoyed. There were a lot of abstracted images of the body and body parts - I work mainly in portraiture, recently mainly images of body parts, so this was very interesting to me. The style was totally different from my own work, but I appreciate being able to see an alternative perspective. I'm also very into texture, and this show includes a variety of materials and textures, as well as some textile pieces, which are also of particular interest to me. The information about the exhibition mentions the work alluding to themes from Kristeva and Lacan, both of whom I studied in the last year of my degree. Having some understanding of this made the show even more interesting. I was not familiar with the artist before today, but now I'd be keen to see more of her work.
So it's been a good 24 hours for me, and my only complaint is that many galleries in Stockholm seem to stay shut for extended periods of time. Or maybe I should take that as a positive that there are still so many exhibitions and spaces yet to discover.
So it's been a good 24 hours for me, and my only complaint is that many galleries in Stockholm seem to stay shut for extended periods of time. Or maybe I should take that as a positive that there are still so many exhibitions and spaces yet to discover.
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